Two prints using direct gravure and debossing. Fukui green gampi chine-collé on Somerset paper. With Ianne Kjorli. Text by Abigail De Kosnik. Dimensions H x L (30″ x 23″) (76 x 68 cm).
2013
Vertical Diptych.
Tag: intaglio
Variable size. Portfolio of 63 prints using direct gravure, debossing, and aquatint. Kochi gampi chine-collé on Somerset paper. Four stone statue photogravure composition plates, one drift plate, one emboss plate. Each individual print is 510 x 660mm (20 x 26in). With Ianne Kjorli.
2013
Deconstructed zen garden. Variable-size grid of viewer-selected transnational iconography, featuring multiple printing techniques and visual composition strategies from London, Tokyo, and San Francisco.
Set of 6 steel-faced copper plates with photogravure, text, vectorization, aquatint. Set of 3 prints using photogravure and aquatint. Fukui gray gampi chine-collé on Fabriano Rosaspina paper. With Emily York, Abigail De Kosnik.2011
Installation. Set of six passport-sized engraved metal plates, placed leaning up against a wall or mirror. On the wall opposite, three prints.
Two prints using photogravure, text, vectorization, and aquatint. Dropbox archive. Kochi gampi chine-collé on Somerset paper. With Emily York. Dimensions H x L (30″ x 23″)
2010
Two invitations to a Conceptual Cocktail Party.
Composition for each print is distinct, but both have similar elements. Each print consists of an A6-sized invitation in the center-top part of page, framed with slim printing marks to indicate cut lines. This invitation is to a variably-dated party, where the recipient is assured alcohol will be present. The lower half of the composition is an over-sized registration mark, with small copyright text indicating that the viewer has the right to reproduce the composition in any form, with any printing equipment, and that the artist will provide technical assistance. A copy of all digital production files is made available by the artist on request.
Composition for each print is distinct, but both have similar elements. Each print consists of an A6-sized invitation in the center-top part of page, framed with slim printing marks to indicate cut lines. This invitation is to a variably-dated party, where the recipient is assured alcohol will be present. The lower half of the composition is an over-sized registration mark, with small copyright text indicating that the viewer has the right to reproduce the composition in any form, with any printing equipment, and that the artist will provide technical assistance. A copy of all digital production files is made available by the artist on request.
One print with sugarlift, photogravure, text, vectorization, and aquatint on Somerset paper. With Emily York. Text by Abigail De Kosnik. Dimensions H x L (38″ x 23″).
2010
One print consisting of layers of silver brush strokes on the top half, and a photogravure/poetry composition on the lower half. Image composition for the lower half is a mixture of found NASA moonscape backgrounds, self-portraits in masks, text, and vector line art in various line widths.
Two prints using sugarlift on Fabriano Rosaspina. With Asa Muir-Harmony. Dimensions H x L (38″ x 23″).
2010
Horizontal Diptych consisting of one print with three layers of over-printed metallic silver ink next to a second ghost print of the first.