sarf-2017

Smithsonian Art Research Fellowship

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Three LED displays, wall mounts, 3 media files, 2 lights, 2 framed photos, 2 cloth pots, one rug, one sofa, two freestanding tumbleweed sculptures. Dimensions H x L x W (9′ x 9′ x 9′).2016

Marhihuana Smokes Herself, installation details with a five minute video clip of the middle screen.

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Two to six channel video art installation. Two to six 34 inch LED televisions, wall-mounted adjacent to each other in landscape orientation, synchronized 19:44 minute 1080p loops.2015

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Variable-size video art installation. One or two 34 inch LED televisions, wall-mounted in portrait orientation to be adjacent or line-of-sight, two 54:00 minute 1080p synchronized loops.2015

Support Material

Nam June Paik Timeline

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1932
  • Born in Seoul, South Korea
1957/1959
  • John Cage and Joseph Beuys in Munich, Germany
1962
  • FLUXUS, Yoko Ono, NY
1963
  • Random Access (Records Schaschlik), interactive music exhibition
  • Afterlude to the Exposition of Experimental Television
  • Zen for TV
1964
  • NY
  • Robot K-456 with Shuya Abe
1965
  • Magnet TV
  • Moon is the Oldest TV
  • Zen for Film
  • TV Crown
1966
  • Beatles Electroniques with Jud Yalkut
  • Us Down By the Riverside with Jud Yalkut
1967
  • Opera Sextronique with Charlotte Moorman: she is arrested.
  • TV Clock, Digital Experiment at Bell Labs, Etude 1 @ Bell Labs
  • Cybernetics of Arts
  • Concordance Letter, essay in Flykingen Bulletin
    @ Stockholm
1968
  • Texts on TV / Aphorisms
  • Stony Brook Report (referenced in Video Common Market)
1969
  • Paik-Abe Video Synthesizer
  • Electronic Moon No. 2
  • Videotape Study No. 3
  • The Medium is the Medium
1970
  • Global Groove and Video Common Market
1973
  • Global Groove
  • Everyone Will Have Their Own TV Channel
  • Video Common Market in The TeleVISION Laboratory News
1974
  • Electronic Super Highway @ Rockefeller Foundation
  • TV Garden @ Whitney
  • TV Buddha @ Stedelijk
  • I Ching TV, TV of Change
1975
  • TV Candle
  • TV Fish
1977
  • Married to Shigeko Kubota
  • Documenta 6 Satellite Telecast
  • Projects: Nam June Paik @ Museum of Modern Art
1978
  • Time and Space Concepts in Music and Visual Art with John Cage and Merce Cunningham
1980
  • How to Make Oil Obsolete
  • Lake Placid ’80 @ 1980 Olympic Winter Games
1982
  • Nam June Paik @ Whitney
  • V-yramid
  • Participation TV
1984
  • Satellite Art Distribution, Multi-Locale Participation, Art Broadcast
  • Good Morning, Mr. Orwell @ satellite via NY, Pompidou, Germany, South Korea
  • German TV show, “Bei Bio”
  • Egg Grows @ San Francisco Museum of Modern Art
1986
  • Butterfly
  • Bye Bye Kipling @ satellite via Seoul, Tokyo, NY
1988
  • Wrap Around the World @ satellite via 1988 Seoul Olympics
  • The More the Better / Dadaikseon
1990
  • Venus
1992
  • Tele-Commuting: From Bali to Broadway
  • A Tale of Two Cities with Paul Garrin
1993
  • Golden Lion @ Venice Biennale
  • Untitled, player piano, 15 televisions, 2 cameras, 2 laser disk players, 1 light
  • More Log-In: Less Logging
  • TV Buddha Reincarnated, aka Techno Buddha
  • Sonatine For Goldfish, aka TV Fish
1994
  • Global Encoder
  • Cyberforum
  • Video Server
  • Rt.66 BBS
  • Ars Electronica
  • WareZ Academy
  • Hacker Newbie
  • E-Mail vs Snail Mail
  • WAIS Station
  • Bio-Neural Net
1995
  • Megatron/Matrix @ Smithsonian
1996
  • Electronic Super Highway: Nam June Paik in the ’90s @ Museum of American Art
  • Cybertown
  • Two Channel Music Tape: Spring/Fall with Paul Garrin
  • Stroke
1998
  • Koyto Award
2000
  • TV Garden @ Guggenheim
  • Modulation in Sync @ Guggenheim
  • Analogue Assemblage
2003
  • Global Groove Remix
2005
  • Standing Buddha with Outstretched Hand
  • Golden Buddha
  • Victrola
2006
  • Died, Florida

Data Practice Bibliography

boyd, danah. 2006. “Friends, Friendsters, and MySpace Top 8: Writing Community Into Being on Social Network Sites.” First Monday 11:12, December. http://www.firstmonday.org/issues/issue11_12/boyd/index.html

Hu, Yuheng, Lydia Manikonda, and Subbarao Kambhampati. “What We Instagram: A First Analysis of Instagram Photo Content and User Types.” ICWSM. 2014.

Keefe, Patrick Radden. “The Detectives Who Never Forget A Face.” The New Yorker, August 22, 2016.

Lee, Pamela. “Identity Theft.” Jessica Silverman Gallery text

Liu, Alan. “Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse.” Critical Inquiry 31 (2004): 209-38.

Liu, Hugo. “Social Network Profiles as Taste Performances.” Journal of Computer-Mediated Communications 13 (2008): 252-275.

Manovich, Lev. “The Anti-Sublime Ideal in Data Art.” Lev Manovich. 2002. 2016-07-20.

Manovich, Lev. “Notes on Instagrammism and contemporary cultural identity.” 2016.

Ostrow, Saul. Decoding O’Doherty, Art in America. December 2007.

Paglen, Trevor. Scripts, http://www.fotomuseum.ch/en/explore/still-searching/articles/26979

Whitelaw, Mitchell. “Art Against Information: Case Studies in Data Practice.” The Fiberculture Journal 11 (2008 DAC conference proceedings).

DTL 16, Data Transparency Lab

FAT-ML 16, Fairness Accountability Transparency in ML